Way Beyond Blue, 1996
Many theories have been put forward to explain the rise of Britpop. There’s the coincidence argument: several similar-sounding bands just happened to be around at one time. And there’s the backlash angle: listening to American grunge for too long drove young Brits to create their own sound. Another is plagiarism: that Blur, Oasis et al were merely aping what their Sixties forebearers had done thirty years earlier. Or was it all part of the wider wave of positivity sweeping the UK at that time, thanks to Euro 96, Tony Blair and Union Jack dresses?
It’s likely that each of these played their part. But it should never be forgotten that a rich seam of musical talent ran through the songs and bands of the time. Noel Gallagher is known for many things – his wit, his eyebrows, his sibling rivalry – but above all, he’s a phenomenal guitarist. Alex James: to some he’s a floppy haired cheesemaker, but to others he’s first and foremost a fine bass player. The Radiohead lads are all creative genii of the very highest order.
It’s hard to think of a Britpop band who didn’t bring something to the party. Which brings us to Catatonia. A late arrival, maybe – they didn’t release their first album until autumn 1996 – but they also left an indelible mark, thanks largely to their charismatic lead singer.
Cerys Matthews’ voice is a truly wonderful thing. Rich, confident and as Welsh as pint of Brains bitter on the top of Cader Idris, she was equally at home duetting with Tommy from Space or tormenting her consonants in ‘Road Rage’. It’s a voice that sticks in the memory and it led the band to greater heights than they might otherwise have managed.
The best voice of Britpop? It was certainly the most distinctive, and that’s just as important. Never underestimate the need for an engaging front person. And its that showwomanship that secures her place at the front of my Britpop dream team.
Lead singer: Cerys Matthews.
Lead guitar: Bernard Butler. The toughest decision, but the intro to ‘Metal Mickey’ swings it in his favour.
Rhythm guitar: Richard Hawley. OK, he was lead guitarist for Longpigs, but he has demonstrated his versatility over the years.
Bass: Mick Quinn. Just listen to the opening to ‘Lenny’ and you’ll hear why; it takes something special to play one note for the opening 25 seconds of a song and still make it a thing of wonder (although Bryan Ferry just tops him on that score).
Drums: Keith O’Neill. My favourite drummer of the Nineties, an irresistible fusion of energy, ability and fury.
Songwriter: Thom Yorke. Yes I know, Radiohead weren’t Britpop, yadda yadda yadda. But he’s still at it and still wonderfully creative and weird.
Lyrics: Jarvis Cocker. Down with ballads: bring forth the songs about the seedy goings on in council estate bedrooms.
Top three Catatonia tracks:
Photo from Pixabay